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主演:
克里斯托弗·李,彼得·库欣
上映:
1964
备注
HD
类型:
电影
剧情:
Paul的父亲和哥哥死于非命。所以Paul来到一个小镇里查看到底是什么原因他的父亲和哥哥神秘死亡。故事发生在1900年初。他发现当他来到小镇的时候,当地的人民都不太友善,而且都好像生活在恐惧之中,尤其是在月圆之夜。他听说这里有一个叫做Megaera的传说,说当戈耳戈看着你的时候,她能变你为石头。在调查的时候,他发现他父亲的助手Dr. Namaroff和漂亮的Carla神神密密。Dr. Namaroff好像隐藏些什么东西,而Dr.Namaroff对Carla有意思,但Carla怀有一种奇怪病症,就是很常晕倒而且失去记忆。Paul找来他的老师Professor KarlMeister帮助他揭开谜底…

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1919 其他
红花之歌
Greta约翰·埃克曼伊迪丝·埃拉斯托夫
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.                                                                    The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.                                                                    As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.                                                                    “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.…
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